Santa before Nast |
Anyway, back to our story set in 1935. Ina sat at the dining room table mending Jack’s glove. She hoped one of the children would provide a new pair for Christmas. Yes, leather-faced gloves were always on Jack’s Christmas list.
When
she finished her mending, she picked up the little cookbook Sadie had
discovered in the closet. As a teacher might do, she scanned it quickly. She
thought it likely that Sadie would want to try the recipes and suggested
activities, and she wisely wanted to be prepared.
The
teacher in Ina liked to learn and then share her knowledge with others. The
appearance of the little cookbook was a perfect opportunity to learn about illustrator
Thomas Nast and the development of the modern Santa Claus. For that research she
would need another book, but you could read about Nast here. On a hunch,
she found the needed information in the magic “cubby hole” closet. (Yes, the
elves provide for adults, too.)
Nast,
an American caricaturist from 1860 until the 1880s, was the father of the
political cartoon before he became the father of the modern image of Santa
Claus. Working for Harper’s Weekly in New York City, he came to exert considerable political
influence. Many people of that time couldn’t read, but they could understand
the message of Nast’s cartoons, which meant that among the politically powerful,
he developed enemies as well as friends. With a change in editorial policy at
Harper’s as well as changes in the technology of publishing cartoons, Nast’s work
was gradually phased out and by 1886, he was out of a job. Poor investments brought
him to financial ruin from which he never recovered.
In
1889, friends at Harper’s suggested he publish a book of his Christmas sketches,
which had evidently appeared in Harper’s from time to time. Nast was grateful
for the idea and published Thomas Nast’s Christmas Drawings for the Human
Race in time for Christmas 1890.
Norman Rockwell's impression of Santa |
A
short heavy-set man, Nast patterned the image of Santa after himself. His
children (he had five) served as models for his family scenes. Many of his illustrations
were suggested by Clement C. Moore’s poem, “A Visit from St. Nicholas,” also called “The Night Before Christmas.” However, Santa’s North Pole
workshop is attributed to Nast’s imagination.
“Well,
well,” said Ina to herself. “How interesting!” KW
[The Nast images and biographical information here are from Thomas Nast's Christmas Drawings, with an introduction by Thomas Nast St. Hill, published by Dover Publications, 1978, essentially a republication of Thomas Nast's Christmas Drawings for the Human Race.]
3 comments:
It always amazes me that back in the day, once a woman was married she was no longer allowed to teach. Of course, I know the reasoning behind this, the "fear" that she would become "with child". I'm glad things have lightened up!
He sure did imagine a more jolly St. Nick, didn't he?
So far, I've not written any Christmas cards. I've not lost hope, though!
I think your comment about women teachers is right on, Chris. And teachers of one-room schoolhouses usually boarded with a family, I think, or perhaps even moved from one family to another. That's unhandy if you're married. And my parents told me that teachers were expected to be paragons of virtue.
Hi Hallie! As I recall, your cards are on hand, so you'll find a few quiet hours to address your card. Your Uncle Chuck expected to mail his holiday letter earlier this week. I'm watching for it.
Ina isn't thinking about cards yet either.
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